The here and now... and what and why

Complacency is a trap. At least that’s what I was thinking when I up and left the comfort of a Yankee prep school gig, where I taught music, amongst other things, for 28 years. There was also that life long career as a composer, musician and artist.

First, it was a year in St. Thomas, USVI, working as a reporter and shooting photography and then, a year in San Agustin Etla, Oaxaca, Mexico.
Time passed.
More time passed and a year back in the Athens of America followed by a hasty return to Oaxaca where it is all happening.
A couple of years in San Sebastian Etla and now, just down the road in San Pablo Etla. Life is good.

Click on an image to see it larger.
For additional photography please visit my flickr page.
You can find my music on Jango (World & latin - Worldbeat) and at iTunes and most online stores.
¡Soy consciente de todas las tradiciones del Internet!
If you are coming to Oaxaca, please contact me for tours or advice.

Santo Domingo

Santo Domingo
The view from Corazon del Pueblo

The hereafter re me

My photo
Oaxaca, Oaxaca, Mexico
Musician, photographer, videographer, reporter, ex-officio teacher, now attempting to be a world traveler

Friday, March 22, 2024

Knives out...

 

"Get your knives sharpened on the spot." One of the special services to be found on the streets of Oaxaca. For some reason, and maybe it's the brutal heat, but this shot makes me think of Sisyphus... just keep pushing and pushing.   And, as always, the street art tells many stories.  No knives here, but bottles. 
And where else could a simple picture of corn, maiz, which was developed in the Mitla region 10,00 years ago, elicit so much pride and respect. 
This saxophonist appears regularly in different guises. Wonderful stencil work.
The juxtaposition of these three images across from Santo Domingo is good food for thought.  Tourists love taking photos with the figures from Tehuantepec, but the locals are not quite so enamored with them.  You can see how they're are feeling by the scowls on their faces.
And of course, someone is always watching.

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